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The direction is superb throughout, speaking in tones, very believable tones, and contrasting atmospheres. The portrayal of Mexico, as a behind-the-scenes nightmare world of seediness, humidity you can almost FEEL the heat and as a place where one murder matters not, is handled excellently, Soderbergh quite cleverly using sepiatones to convey the mood.
Javier Rodriguez's Benicio Del Toro character and personality is both strong and incredibly well-acted - the quiet, thick skinned yet razor-sharp mind suiting his environment perfectly, and his acting is often crucial to the moods set in the film, for example in creating the tense, unearthly atmosphere of Mexico.
This quiet confidence is also a key part of one of the film's many underlying messages, namely a study in resourcefulness and where it gets us, particularly in Catherine Zeta-Jones' character, a trophy wife of a drug trafficker who is under arrest.
Resourceful as she is, it takes her down the darkest and lowest moral alleyways, and this can be compared to 'Erin Brockovich', where another stressed woman used a different kind of soul and fighting spirit to get results.
This time the daddy is the newly-instated drugs officer Michael Douglas fighting drugs on two fronts: the Mexican Border and his own home, as he struggles to keep his adolescent daughter on the straight and narrow.
The characters are all strong and well acted, I can't put my finger on a single bad performance, but Benicio Del Toro is by far the best on show and his Oscar was well deserved.
Michael Douglas proves again that he's a class act, as does Catherine Zeta-Jones and strength in depth is clear all round.
All in all, then, a great film, combining good acting, clever psychological undertones and classy direction, which particularly stands out.
Combining an ability to keep us interested with the snappy, modern style which he has brought to the movies today - this film is a gripping account and a very comprehensive display of Soderbergh's impressive arsenal of film knowledge, understanding and talent.
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Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Travel data — actual maximum flotation depth, dangerous goods, destination, estimated arrival time for inland AIS — ENI ship number, organization data, dangerous goods, flotation depth, loading conditions, fairway lane, max.
But not all ships are committed to transmit all this amount of data. Small ships like sport boats usually have to transmit only the most important informations.
The MMSI number consists of 9 digit numbers, the first 3 digits give information about the nationality of the vessel.
The last 6 numbers identify the individual vessel. It makes it easy to get in contact with every other ship owner to prevent collisions.
But why do ships use another radar system as airplanes or other means of transportation? The marine traffic is a complete different system as the normal radar system.
The AIS system is able to display all the data very detailed. Just watch the Marine Traffic map and zoom out, then you can see all ships which are currently traveling.
All different ships or vessels on the marine traffic map have different icons and colors. Each icon and color has a different meaning.
The arrow means that the ship is currently driving. The arrow also points to the direction the ship is going. The round point means that the vessel is currently not moving or has anchored.
Archived from the original on July 31, New York Daily News. Toronto Sun. Seattle Times. Toronto Star. Archived from the original on February 25, Retrieved September 9, Steven Soderbergh.
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Download as PDF Printable version. Traffik by Simon Moore. Peter Andrews. Academy Awards . Best Picture. Marshall Herskovitz , Edward Zwick and Laura Bickford.
Best Director. Best Adapted Screenplay. Best Supporting Actor. Best Editing. BAFTA Awards . Best Direction. Golden Globe Awards . Best Motion Picture — Drama.